Curricular Unit: | Code: | ||
Advertising, Creativity and Innovation | 1004PCIN | ||
Year: | Level: | Course: | Credits: |
1 | Postgraduate | Marketing, Advertising and Design for SME | 6 ects |
Learning Period: | Language of Instruction: | Total Hours: | |
Portuguese/English | 78 | ||
Learning Outcomes of the Curricular Unit: | |||
FROM THE MARKET TO THE MARKET The aim is to provide the student with a transversal view, from "creation" to the final product, with the market and the company as essential units. The purpose of this class, the first Post-Graduation class, is to integrate and make perceptive the structure of the course. CREATIVE WRITING AND ADVERTISING Understand the role of Mashup / Transmédia in the scope of creativity and advertising, creating and justifying strategies for circulation of products in multiple digital formats and through different communities / audiences / platforms. Understand and apply creative production mechanisms that involve Intertextuality, Crossover, Collage and Assembly | |||
Syllabus: | |||
CREATIVE WRITING AND ADVERTISING Mechanisms of textual advertising production under constraint Combinatorics and generativity in the advertising text Appropriation and culture of the remix in Advertising | |||
Demonstration of the Syllabus Coherence with the Curricular Unit's Objectives: | |||
FROM MARKET TO MARKET (subunit). Not applicable. CREATIVE WRITING AND ADVERTISING | |||
Teaching Methodologies (Including Evaluation): | |||
FROM MARKET TO MARKET (subunit). After describing the PG modules, students are asked to explain how each one sees the market in terms of advertising. CREATIVE WRITING AND ADVERTISING Theoretical-practical classes divided into theoretical classes, lectured by the teacher, followed by a debate; and practical classes that aim to develop advertising textual production skills, applying aspects related to Combinatorial Processes, Appropriation and remix. The evaluation is done through a practical, reasoned work, with a strategy proposal for the circulation of products in multiple digital formats and through different communities / audiences / platforms. | |||
Demonstration of the Coherence between the Teaching Methodologies and the Learning Outcomes: | |||
FROM MARKET TO MARKET (subunit). Not applicable. CREATIVE WRITING AND ADVERTISING | |||
Reading: | |||
Bono, E. (2007). How to have a creative ideas. McQuaig Group In. Buzato, M. K.; Silva, D. P. da; Coser, D. S.; Barros, N. N. de; Sachs, R. S. (2013). Remix, mashup, paródia e companhia: por uma taxonomia multidimensional da transtextualidade na cultura digital. Revista Brasileira de Linguística Aplicada, 13(4), p. 1191-1221. https://doi.org/10.1590/S1984-63982013000400011 Johansson, F. (2007). Efeito Medici. Cruz Quebrada, Casa das letras. Johnson, S. (2010). As ideias que mudaram o mundo. Lisboa, Clube do autor. Krippendorff, K. (2019). Driving innovation from within. New York: Columbia University Press. Mesquita, F. (2015). Comunicação visual, design e publicidade. Porto, Media XXl. Mesquita, F. (2018). O cartaz camaleónico – Design, Criatividade, Inovação e Tecnologia. Ilhavo, Plucker, J. (2017). Creativity & innovation, theory, research and pratic. Prufrock Press Inc. |